Qian Qi

"Meeting a Hero" is a five-character quatrain written by Qian Qi, a poet in the middle Tang Dynasty. It is a farewell poem written because of meeting a hero on the road. The poem has unique sentence structure and hidden meaning. 《逢侠者》是中唐诗人钱起创作的一首五言绝句，是一首因路遇侠者而写的赠别诗。此诗造句别致，寓意隐蔽。 《逢侠者》 钱起 燕赵悲歌士，相逢剧孟家。寸心言不尽，前路日讲斜。 A Swordsman Qian Qi I've met a swordsman in his land,Who would take justice in his hand.To him I would lay bare heart mine,But the sun is on the decline.

"Looking at Kuang Lu from Jiang Xing" is a five-character quatrain written by the Tang Dynasty poet Qian Qi. The poem begins with "I am worried about the wind and rain, Kuang Lu is not accessible", which casually incorporates the meaning of "Jiang Xing" in the title, but does not state it explicitly, but only hints at it from another angle, using the writing technique of "hidden beginning". 《江行望匡庐》是唐代诗人钱起创作的一首五言绝句。此诗以“咫尺愁风雨，匡庐不可登”作为开头，随手将题目中“江行”的意思镶嵌在内，但没有明说，只是从另一角度隐隐化出，用的是“暗起”的写作手法。 《江行望匡庐》 钱起 咫尺愁风雨，匡庐不可登。只疑云雾窟，犹有六朝僧。 Mount Lu Viewed in Rain Qian Qi I can't climb up Mount Lu nearby,For ir is veiled in wind and rain,I doubt in cloud and mist on highIf holy men if old remain.

"Presented to Pei Sheren at the Palace" is a work by the Tang Dynasty poet Qian Qi. This poem is famous for its implicit request for support through scenery and its unconventional flattery. The first half is mainly about describing the scenery, but the emotions are integrated into the scenery; the second half is mainly about expressing emotions, but the thoughts and scenery are in harmony. The poet implicitly praises Pei Sheren and tactfully expresses his own thoughts. There is not a single sentence in the whole poem that expresses the author's own feelings, but he points out his own thoughts in the description of scenery and emotions. It is gorgeous and exquisite, but not embellished, which shows the author's sophisticated artistic skills. 《赠阙下裴舍人》是唐代诗人钱起的作品。此诗以其用景色隐含的请求提携之意，和不落窠臼的恭维手段而闻名。前半部分以写景为主，但融情于景；后半部分以抒情为主，但思与景谐。诗人含蓄地赞颂了裴舍人，并委婉地陈述了自己的心事。全诗未有一句是明写作者自己之情，却在景色和感情的描写中点明了自己的想法，富丽精工，又不流于藻饰堆砌，由此颇见作者娴熟的艺术技巧。 《赠阙下裴舍人》 钱起 二月黄鹂飞上林，春城紫禁晓阴阴。长乐钟声花外尽，龙池柳色雨中深。阳和不散穷途恨，霄汉常悬捧日心。献赋十年犹未遇，羞将白发对华簪。 To Master Pei, a Palace Official Qian Qi Th' imperial garden amid golden orioles' song awakesIn the forbidden city, somber in early spring morn.The boom of the bell dies away after through flowers it breaks.The willows by the pool sway in the rain, dark and forlorn.And nothing, not e'en the warm sun, could thaw my bitter pain,Yet true and loyal to the emp'ror shall I always be.For years, alas, I've sent my writings…

"A Letter to Yang Buque from Gukou Study" is a five-character regulated verse written by the Tang Dynasty poet Qian Qi. This is a poem inviting a friend to an appointment. The first three couplets of the poem are all about scenery, focusing on the beauty of the scenery of the tomb and the mountain residence, implicitly tempting the other party to come and enjoy it. The last sentence describes the servant sweeping the path to wait on the friend, eagerly looking forward to his arrival, and points out the meaning of the invitation. The biggest feature of this poem is that it personifies water, clouds, bamboo, mountains, herons, and flowers, and is written with great emotion. The language of this poem is clear and beautiful, the feelings are sincere, the style is fresh and strange, and the artistic appeal is strong. 《谷口书斋寄杨补阙》是唐代诗人钱起创作的一首五言律诗。这是一首邀请朋友赴约的诗，诗的前三联全是绘景，着力描墓山居的景物美，隐含诱惑对方快来赏玩之意，末句写家僮扫径以侍，盼友人来临的心情殷切，并点明邀约之意。这首诗的最大特点是将水、云、竹、山、鹭、花人格化，写得极富感情。这首诗语言清丽，情真意切，风格清新奇淡，艺术感染力较强。 《谷口书齐寄杨补阙》 钱起 泉壑带茅茨，云霞生薜帷。竹怜新雨后，山爱夕阳时。闲鹭栖常早，秋花落更迟。家僮扫罗径，昨与故人期。 An Invitation to My Friend Councilor Yang from My Study at Gu Kou Qian Qi Around my thatched cottage wild brooks wind;To my rough curtain rosy clouds their way oft find.With rain just o'er, bamboos refresh the eye,And mountains in the setting sun more charming lie.Idle stocks to roost go early in the eve;And…

"Sending a Monk Back to Japan" is a work by the Tang Dynasty poet Qian Qi. This poem was written to bid farewell to a Japanese monk, expressing the author's respect for the Japanese monk's spirit of not fearing hardships, and praising the Japanese monk's holy character and noble conduct. The poem is written in a unique style, with clear and beautiful verses and harmonious rhymes. Because the monk being sent back to Japan, every sentence uses Buddhist terminology and is full of religious color. 《送僧归日本》是唐代诗人钱起的作品。此诗写作者送别日本僧人，表达了对日本僧人不畏艰难精神的敬重，赞颂了日本僧人品格的圣洁和道行的高尚。诗之写法别具一格，诗句清丽，音韵和谐，由于被送的是归日本的和尚，句句运用佛家术语，充满宗教色彩。 《送僧归日本》 钱起 上国随缘住，来途若梦行。浮天沧海远，去世法舟轻。水月通禅寂，鱼龙听梵声。惟怜一灯影，万里眼中明。 Seeing a Japanese Bonze Off to Japan Qian Qi For Buddhism's sake you have come in this land to stay;You seem to have voyaged dreamily along your way.The boundless sea you crossed upsurges to the skies;The vessel laden with Buddha's teaching its way flies.The moon and water know something Buddhism can lend;To the chanted Sutra fish and dragons their ears bend.That which we hold dear is the solitary lightFrom thousand and thousand li away shining bright.

"To the Returning Wild Geese" is a seven-part poem written by the Tang Dynasty poet Qian Qi.

"To the North-flying Wild Geese" is a seven-part poem written by the Tang Dynasty poet Qian Qi.