Not seeing for a few seconds widens our eyes and not hearing for a few seconds make our ears sharper. I wish there would be death for a few seconds so that life would get back to us stronger than before. However when a leave falls, it resembles of the spring that is going to come.“
短暂的失明让我们视野变得更宽广,短暂的失聪让我们的听觉变得更敏锐。我希望体验一个短暂的死亡,这样当重获新生时我们会比以前更坚强。我们应该明白,当一片叶子落下时,这也代表着春天已经不远了。”一位刚刚得知自己身患绝症的女教师,会选择如何面对接下来的生活?
Key words
失明shī mínɡ:blindness
失聪shī cōnɡ:deafness
绝症jué zhènɡ:incurable disease
Blueberry Blue 蓝莓蓝 ~ Chinese Movies&TV
Fritjof works for a Munich architectural firm and is sent to make measurements at a hospice for the dying. At the hospice Fritjof meets Hannes, a former school friend who is now in the final stages of pancreatic cancer. That life is a gift and that one has to embrace it wholeheartedly is something he learns from Hannes and from another patient in the hospice, Frau Fahrenholtz. She makes blueberry wine and carefully guards the secret of the very best blueberries: “You young people are just going to have to pull up your socks and find out for yourselves!” When Hannes and Frau Fahrenholtz die, Fritjof is able to shed his half-hearted approach to life. Now he finally discovers what it means to really live his own life.
在慕尼黑某建筑公司工作的弗里乔夫被派去一家临终收容所做测量工作。在那里,弗里乔夫遇见了身患癌症的学生时代旧友汉尼斯。弗里乔夫从汉尼斯和收容所其他病人身上领悟到生命的馈赠。收容所的法伦豪斯夫人常常制作美味的蓝莓酒,并将最佳的蓝莓采摘地视为自己的秘密。在汉尼斯和法伦豪斯夫人去世后,弗里乔夫摆脱了从前得过且过的生活方式,终于明白了如何掌握属于自己的人生。
Key words
收容所shōu rónɡ suǒ:asylum
蓝莓lán méi:blueberry
测量cè liánɡ:measure
The Spring River Flows East 一江春水向东流 ~ Chinese Movies&TV
Director: Cai Chusheng, Zheng Junli 1947
This epic drama begins in 1930s Shanghai: poor but honest Su Fen (Bai Yang) and Zhang Zhongliang (Tao Jin) meet in the factory wher they work. They marry and live with Zhang’s parents in one room of a small house. Zhong Liang’s brother and sister-in-law work for the revolution in the northeast. As the Japanese Army approaches Shanghai, Zhong Liang flees to Chongqing with Nationalist sympathizers-namely a Miss Wang Lizhen (Shangguan Yunzhu).
Unable to contact his family for months, Zhong Liang has no idea that his father has died and his wife has borne him a son. In fact, his new life in Chongqing keeps him so busy that he forgets about his family left behind in wartime Shanghai, and eight years pass without contact between them. While Zhong Liang works his way up the ladder of success by using Miss Wang’s guanxi, Su Fen, her child and mother-in-law slip deeper and deeper into poverty.
At the end of the war, homelessness and starvation threaten Su Fen and her family. Assuming that Zhong Liang has died in the war, she goes out to find work. But with her previous experience as a factory worker, Su Fen can only find work as a maid in the home of a wealthy Shanghai family that have just returned from Chongqing. The family turn out to be relatives of Miss Wang, now Zhong Liang’s spoiled and jealous wife. When Miss Wang and Zhong Liang return to Shanghai, Miss Wang’s cousin throws a large party at which Sun Fen must serve the guests. Finally, she comes face to face with her long lost husband, now married into a wealthy, bourgeois family.
The last half hour of the film sees Zhong Liang struggling to pacify his spoiled wife while his impoverished family waits in the wings for him to recognize their existence. Distraught and heartbroken, Su Fen heads to the Bund with her son in tow…
A prime example of Shanghai’s leftist film-making past, The Spring River Flows East stars two of the biggest female stars of that era: Bai Yang and Shangguan Yunzhu. Bai revels in the melodramatic role of Su Fen, while Shangguan’s role as the spoiled playgirl challenges the likes of Alex in Fatal Attraction – but 50 years earlier.
Despite the melodrama and rather obvious bourgeoisie versus proletariat plot line, The Spring River remains nothing less than a masterpiece. The diversity of Shanghai society at that time is revealed in this film that captures the imagination for the entire playing time of 3 hours.
Adlon A Family Saga阿德龙大酒店
Chinese Film: the Park (Gong Yuan) 公园 ~ Chinese Movies&TV
In recent years, the Chinese park has become a venue where concerned parents convene to discuss potential partnerships for their children. Set in a Kunming park, first-time director Yin Lichuan(尹丽川 Yǐn Lìchuān) focuses her story on this matchmaking ritual, with a delicate story of a father-daughter relationship.
June is a journalist approaching her 30th birthday who lives with her boyfriend Doudou, a young musician who doesn’t have a stable job. When her father comes to visit her from her hometown, June feels as if her personal life has been intruded upon.
Her father, not satisfied with her younger boyfriend, takes it upon himself to find her a new boyfriend. And so he heads to the park every day to meet like-minded elderly people, who have similar concerns for their children.
Rather than protest, June finds it easier to go along with her father and as a result meets many strange men, merely fueling the unspoken conflict between father and daughter that takes place every day.
The movie is reminiscent of Ang Lee‘s(李安 Lǐ An) early films, such as Pushing Hands(推手 Tuī shǒu) or Eat, Drink, Man, Woman(饮食男女 Yǐnshí nánnǚ), which both explore Chinese family relationships and feature imposing father figures.
Wang Deshun turns in a superb performance as June’s worried, lonely, caring and sometimes helpless father, effortlessly expressing the complex and contradicting emotions of his character.
Yin’s previous experience as a poet and a writer has obviously influenced her directorial style, resulting in a lyrical, softly spoken film, which involves slow camera and character movements. This style also marries well with the beauty of Yunnan and Kunming’s parks.
Joe Wong‘s Talkshow
Joe Wong (Chinese: 黄西; pinyin: Huáng Xī), is a Chinese American comedian and chemical engineer.He was born to a Korean Chinese family in Baishan, Jilin, China. His family moved from Korea to China three generations ago. He graduated from Jilin University and Chinese Academy of Sciences, before he came to further study chemistry at Rice University in Texas in 1994. He moved to Boston in 2001 and began to perform his comedy.
Although he had won numerous awards, he did not attract nationwide attention until after his appearance on Late Show with David Letterman on April 17, 2009, though most his deadpan material was suggested by the producers.His multiple appearances on TV, courtesy of Ellen DeGeneres, have boosted his reputation further. On February 10, 2010 Wong made his second appearance on David Letterman’s show.He also appeared on the March 30, 2012, episode of Late Show.
On St. Patrick’s Day, 2010, he headlined the annual dinner hosted by the Radio and Television Correspondents’ Association.
Wong documented his performances in United States and China, discussing his limitations and style in Chinese humor.
On June 19, 2010, he placed first in the Third Annual Great American Comedy Festival.
I feel that life is a kind of like pee into the snow in a dark winter night. You probably made a difference, but it’s really hard to tell.
That just gives me a lot of hope, because I am half not black half not white. Two negatives make a positive.
So, my campaign slogan will be, “Who cares?” (Hu Cares)
Chinese Film: Spider Lilies 刺青 ~ Chinese Movies&TV
Though critics have picked up on the Sapphic aspects of Spider Lilies(刺青 Cìqīng), the story has more important themes and motifs, such as love, loneliness, family and the lives of the weak and marginalized.
Jade(小绿 Xiǎolǜ) and Takeko(小竹 Xiǎozhú) are two young, troubled women, both haunted by their past, who are reunited by chance. Jade (Raine Yang), makes a living performing via webcam for online voyeurs, but her private life is occupied by memories of a kind-hearted friend who helped her through her lonely childhood.
Meanwhile, this very girl, Takeko (Isabella Leong), makes a living as a reclusive tattoo artist. Takeko is haunted by the death of her father. The spider lily design that hangs on her parlor is a tattoo that was quite literally cut from the flesh on his back after he died while trying to save her younger brother from an earthquake. Takeko was away that night, on a date with her partner, and has never been able to forgive herself since.
The style of the film, from the dialogue to the visuals, is delicate and clear. Director Zero Chou uses the tattoo to symbolize a scar – physical proof of pain and injury – and in doing so asks what it takes to escape the shadow of the past. As the story progresses, we see that love and time are the only remedy for this kind of guilt and sadness. As a result, the film’s conclusion is certainly more hopeful than that of Butterfly, another Chinese film to which Spider Lilies has been (inevitably) compared. However, the real shining light is Yang’s illuminating performance as sad-eyed cyber temptress Jade.
The Founding of a Republic建国大业
The Founding of a Republic(建国大业Jiànguó Dàyè ) is a 2009 Chinese historical film commissioned by China’s film regulator and made by the state-owned China Film Group to mark the 60th anniversary of the People’s Republic of China. The film was directed by Huang Jianxin and China Film Group head Han Sanping.
Although the film premiered on September 17, 2009 in mainland China, it has yet to receive publicity in Taiwan. The film was produced with the backing of the Communist Party, but in response to reactions outside Mainland China, Huang Jianxin, the film’s co-director, “has said it was unfair to describe The Founding of a Republic as propaganda, since modern Chinese audience were too sophisticated to swallow a simplistic rendering of history.” While the Taiwan government has asserted that it has no plans to actively censor the film, it has yet to be released because Taiwan’s 2009 annual quota of 10 mainland films was already reached.
The film retells the tale of the Communist ascendancy and triumph, and has a star-studded cast including Andy Lau, Ge You, Hu Jun, Leon Lai, Zhang Ziyi, Donnie Yen, Jackie Chan, Jet Li, Zhao Wei, and directors Jiang Wen, Chen Kaige and John Woo, many of whom make cameo appearances so brief they could be easily missed; the leading roles are played by actors equally renowned in China, such as Tang Guoqiang and Zhang Guoli, but they are less well-known internationally. A CFG spokesman said many stars answered Han Sanping’s call to appear in the film, and waived their fee. Thus, the movie kept to its modest budget of 60–70 million yuan (US$8.8–$10 million). According to the executive at one of China’s top multiplex chains, the film unusually marries “the core of an ‘ethically inspiring’ film with commercial packaging.”
In 1945 after the end of the Second Sino-Japanese War, Mao Zedong and members of the Chinese Communist Party (CCP) travel to Chongqing for a meeting with Chiang Kai-shek and the Kuomintang (KMT). With help from the China Democratic League, the Double Tenth Agreement is signed between the KMT and CCP, with both sides agreeing to stop the civil war and to establish a multi-party government in China.
The following year, Chiang Kai-shek calls for a National Assembly in Nanjing and is elected as President of the Republic of China (ROC). At the same time, the peace negotiations between the CCP and KMT fail and the civil war continues. Other political figures such as Zhang Lan, Soong Ching-ling and Li Jishen, support the CCP because they oppose Chiang’s government, even though they are in non-battleground areas such as Shanghai and Hong Kong.
In May 1948, the CCP declares the opening of a “War of Liberation” against Chiang’s ROC government, with many other political parties responding to the call and taking the CCP’s side. The Red Army scores victories against the NRA in subsequent battles and eventually Chiang’s forces retreat to Taiwan in December 1949. On 1 October 1949, Mao Zedong proclaims the People’s Republic of China with its capital at Beijing, marking the start of a new era for China.
Chinese Film: The Case (Xiangzi) 箱子 ~ Chinese Movies&TV
From young actress-turned-director Wang Fen(王分 Wáng Fēn) comes this offbeat tale of intrigue and suspense, set in Lijiang(丽江 Lìjiāng). Anyone who has experienced the tourist hell of this UNESCO-listed town may be surprised to see it quiet, atmospheric and free of hordes of people. Wang uses the old streets to lend a sense of claustrophobia to her tale.
A middle-aged couple run a guesthouse by the river, and one day the husband, Dashang (Wu Gang), spots a case floating by. Rather than the treasures he had hoped to find, the case contains body parts. As Dashang puzzles over how to dispose of his grisly find, an attractive young couple show up at the guesthouse, prompting feelings of longing, desire and suspicion.
Wang gives the film a twist by suggesting that it may all be a figment of Dashang’s imagination, trapped as he is in an unhappy marriage and longing for escape. The film has a dreamlike quality, while also portraying the psychological world of a middle-aged man in contemporary China. But not everyone will enjoy the strange blend of comedy and suspense, the characters engaged in farcical goings-on while living in a mysterious and empty city, in which unexpected horrors hide around every corner.
The ideal city 一座城池
一座城池
导演: 孙渤涵
编剧: 孙渤涵;韩寒
主演: 房祖名 王太利
类型: 喜剧
语言: 汉语普通话
上映日期: 2013-09-18(中国大陆)
故事梗概:
电影讲述从学校肄业的“我(林夕)”(房祖名饰)因为一次群架事件,和朋友“健叔”(王太利饰)从上海逃到了一个城镇。健叔是高我一年级的同学,我 们住在长江旅馆里,整日在这个城市里闲晃。后来我们认识了新朋友王超,从此,王超和他的桑塔纳就和我们混在了一起。故事将青年人的无奈、茫然、彷徨与尴尬 表现的淋漓尽致,就好像一直在寻找着一条路,然而最后发现路就在脚下。
The Ideal City
Director: Sun Bohan
script by: Sun Bohan Hanhan
Actors: Jaycee Fong, Wang Taili
Type: Comedy
Language: Standard Chinese
Release date: September 18th, 2013
Lin Xi is fed up with life in Shanghai’s underbelly. A final gang fight sends him looking for better prospects elsewhere, with best friend Jianshu. After putting enough distance between themselves and Shanghai’s chaos, the two wind up at the Yangtze River Hotel. The tranquility of the area is in stark contrast to the city they once called home, but then memories of Shanghai start to plague Lin Xi as he and his friends drift aimlessly around this peaceful town. Running away from Shanghai didn’t solve any problems, it just presented new ones, and they look for a way out of feeling lost.