Chinese Poems

和白罗诗九首 贺双卿 其一 未许焚修闭小庵，冰心无皱似澄潭。 泥迟枉怪饥时燕，茧薄谁怜病后蚕。 Nine Poems He Shuangqing I I cannot hope to burn incense and meditate in a cloistered temple, My heart unrippled as a still clear pond. Don’t blame a starving swallow for bringing nest mud too late; Who pities an ailing silkworm for spinning a flimsy cocoon? 其二 今年膏雨断秋云，为补新租又典裙。 留得护郎轻絮暖，妾心如蜜取嫌君。 II This year torrents break forth from the autumn clouds. To pay the new rent, I have pawned my skirt. If I can save a quilt to protect you from the cold, My heart will be like honey how could I fault you? 其三 细纫麻鞋线几重，采樵明日上西峰。 乍寒一夜风偏急，莫向郎吹尽向侬。 III Coiling and stitching hemp, I make a pair of shoes, To ascend the western peak for wood tomorrow. The sudden cold brings a night of gusty winds; I implore them to blow my way instead of yours. 其四 冷厨烟湿障低房，爨尽梧桐谢凤凰。 野菜自挑寒自洗，菊花虽痛奈何霜？ IV In the chilly kitchen, smoke hangs heavy and damp over the room. With the wutong trees all burned, the phoenix has no perch. Alone I pick wild vegetables and wash them in the cold. The chrysanthemum, though ill, still has to bear the frost. 其五 浸透春酸一点心，病中疏梦意销沉。 镜钗己卖酬方药，自削杨柳照水簪。 V My fate is thin and insubstantial as a cicada’s wing.…...

二郎神·菊花 贺双卿 丝丝脆柳， 袅破淡烟依旧。 向落日秋山影里， 还喜花枝未瘦。 苦雨重阳挨过了， 亏耐到小春时候。 知今夜， 蘸微霜， 蝶去自垂首。 生受， 新寒浸骨， 病来还又。 可是我双卿薄幸， 撇你黄昏静后。 月冷阑干人不寐， 镇几夜， 未松金扣。 枉辜却、 开向贫家， 愁处欲浇无酒。 Er lang shen: Chrysanthemums Strand on strand of frail willows, Swaying gently, breaks through the light mist as before. I turn toward the shadows of autumn hills in the setting sun, And rejoice that the flowers’ stems have not withered. Incessant rain they have endured past the Double Ninth, And fortunately survived to the time of Small Spring. Knowing that tonight will be dipped in light frost, The butterflies go off, leaving them to droop their heads alone. Taking in the hardships: When new chill penetrates the bones And illness comes once again. Is it that I, Shuangqing, am heartless, Casting you aside after the dusk turns quiet? Moonlight chills the railing and I am sleepless For many nights now you have not loosened your golden clasps. I wrongly neglected you when you blossomed for a poor household; Now that I want to water the site of sorrow, I have no wine. （Grace S. Fong 译）...

笑倒·梦戏酌 陈皋谟 一人梦赴戏酌，方定席，为妻惊醒，乃骂其妻。妻曰：不要骂，趁早睡去，戏文还未半本哩。 Party with Theatricals in Dreamland A man dreamt of going to a dinner party at which theatricals would be given. Hardly had the seats been assigned to the guests when he was awakened by his better half, against whom he uttered invectives for interrupting his fond dream. “Don’t curse me, my dear,” said his better half. “Go back to sleep before it is too late. The play isn’t half over yet.” Chen Gaomo: Xiao dao (Convulsive Laughter) （卢允中 译）...

琴调相思引 史承谦 不为横陈忆小怜， 夜窗风细月如弦。 拟添银叶、 安稳耐孤眠。 百尺游丝牵别绪， 一痕蛾绿淡秋烟。 近来心事、 都在药栏边。 Blissful Memory of Love Shi Chengqian It’s not for her spread-eagled body that has a claim to remembrance, But the breeze outside the night window under the crescent moon. Now add more incense to comfort my slumber in solitude. My sorrows are intertwined into gossamers for a hundred-foot distance, Whence her eyebrows look like a film of autumn boon. Shrewdly vexed lately, all stands there beside the roses in multitude. （吴松林 译）...

家书 张英 千里家书只为墙，再让三尺又何妨？ 万里长城今犹在，不见当年秦始皇。 Reply a Letter from Home Zhang Ying 1 The letter was 1000-li far away from my home, I suggested yielding thee inches instead of quarrel. Today the Great Wall’s standing still firm, Who met the First Emperor 2 of Chin Kingdom? 1. Zhang Ying (1637-1708) was a prime minister in the Qing Dynasty. 2. The First Emperor here refers to Ying Zheng (259BC-210BC)—the founder of Chin Dynasty. （朱曼华 译）...

篱竹 郑板桥 一片绿阴如洗，护竹何劳荆杞？ 仍将竹作芭篱，求人不如求已。 Fenced Bamboos Zheng Banqiao In the clear stretch of green gloom, Why bother thorns and brambles to shelter the bamboos? Put the bamboos in the catalogue of wattled walls, Because self-help is better than help from others. （吴松林 译）...

减字木兰花 纳兰性德 相逢不语，一朵芙蓉着秋雨。小晕红潮，斜溜钗心只凤翘。 待将低唤，直为凝情恐人见。欲诉幽情，转过回廊叩玉钗。 Shortened Form of Lily Magnolia Flowers Nalanshinde Lost in thought, she was met with, Like a lotus dripped by the Autumn rain. Her cheeks mantled with light blushes, And out of her topknot was a phoenix wear. For the love of undertone, pray, Her mushy love might be espied. Tempted to unveil her secret, But she left, tracing tinkly jade and pin. （吴松林 译）...

Jingzhao, a native of Wanping, was born during the late Ming and early Qing dynasties. She was known by the courtesy name of Yueshang or Yueshi, and was a well-born daughter of the Cao family. Originally a palace concubine in the Ming Dynasty, she later renounced her worldly life and became a nun. 《宫词六首》 静照 一树寒花冒雪开，幽香寂寂映妆台。 女官争簇传呼近，知是鸾宫选侍来。 宝妆云髻亸金衣，娇小丰姿傍玉扉。 新入未谙宫禁事，低头先拜段纯妃。 Palace Poems [two from a Series of Six] Cao Jingzhao II A tree full of chilly flowers blooms right in the snow, Faintly fragrant, utterly silent, dazzling tower and terrace. Palace maids cluster around, their calls draw near, Making known the Phoenix Palace chosen attendants are here. III Bejeweled makeup, cloud-coiffure, trailing golden garments, Small and dainty the pose she strikes beside the door of jade. A newcomer still unfamiliar with palace matters, Head lowered, first she bows to the number one concubine. （Nancy Hodes and Tung Yuan-fang 译）...

闲赏·元旦 卫泳 元旦应酬作苦，且阅岁渐深，韶光渐短，添得一番甲子，增得一番感慨。庄子曰：大块“劳我以生”。此之谓乎！吾所取者，淑气临门，和风拂面，东郊农事，举趾有期。江梅提柳，装点春工，晴雪条风，消融腊气，山居之士，负暄而坐，顿觉化日舒长，为人生一快耳。 Thoughts at Leisure on New Year’s Day Wei Yong It is actually a grind to attend a lot of trivial social activities during the New Year’s Day.1 Besides, good days will look increasingly shorter as we grow older. Therefore, once we are one more year older, we will have the regret that our future days are one year shorter. Zhuangzi’s words that “Nature makes me grow with toil”2 must refer to this situation. Therefore, the attitude I should adopt is that when spring is coming and an agreeable breeze is caressing my face, it is time that I should get ready to do the farm work in the eastern suburbs. The plum blossoms along the riversides and the willows on the causeways decorate the beautiful scenery in spring. The east wind blows away the lingering snow on sunny days, dispelling the piercing cold air in the coldest 12th month of the lunar year. When the folks who dwell in the hills sit outside to bask their backs in the sun, they suddenly feel that the time of the day is now becoming longer. What a delightful thing in life it is! Here, New Year’s Day refers to Chinese Spring Festival,…...

《阅微草堂笔记》节选 纪昀 曹司农竹虚言：其族兄自歙往扬州，途经友人家。时盛夏，延坐书屋，甚轩爽。暮欲下榻其中，友人曰：“是有魅，夜不可居。”曹强居之。 夜半，有物自门隙蠕蠕入，薄如夹纸。入室后，开展作人形，乃女子也。曹殊不畏。忽披发吐舌作缢鬼状。曹笑曰：“犹是发，但稍乱；犹是舌，但稍长，亦何足畏？”忽自摘其首置案上。曹又笑曰：“有首尚不足畏，况无首耶！”鬼技穷，倏然灭。 及归途，再宿。夜半，门隙又蠕动。甫露其首，辄唾曰：“又此败兴物耶？”竟不入。 《滦阳消夏录》 Selections from “Notes of Yuewei Hermitage” Ji Yun Cao Zhuxu the Minister of Agriculture told me that once, on his way from Shexian to Yangzhou, a cousin of his broke his journey to visit a friend. It was the midsummer. The friend invited him to sit in his study, which was roomy and cool. That evening he wanted to sleep there, but his friend said, “There is a ghost, so no one can stay here at night.” Still his cousin insisted on staying there. At midnight something as thin as folded paper crept in through a chink in the door; but once in the room it spread out and took the form of a woman. Cao was not afraid. When the apparition let down is hair and struck out its tongue like a woman who had hanged herself, he said with a laugh, “Your hair is rather tousled and your tongue is rather long, but why should that scare me?” Then the ghost took off its head and placed it on the desk. With another laugh Cao said, “Even with a head you can’t scare me, much less without one.” Having run out of…...

别老母 黄景仁 搴帷拜母河梁去，白发愁看泪眼枯。 惨惨柴门风雪夜，此时有子不如无。 Parting from My Old Mother Huang Jingren I leave my mother at the door for riverside, I gaze at her white hair and tearful eyes now dried. To have on snowy night a son not within call, It is no better than to have no son at all. （许渊冲 译）...

潍县寄舍弟墨第四书 郑燮 凡人读书，原拿不定发达。然即不发达，要不可以不读书，主意便拿定也。科名不来，学问在我，原不是折本的买卖。愚兄而今已发达矣，人亦共称愚兄为善读书矣，究竟自问胸中担得出几卷书来？不过挪移借贷，改窜添补，便尔钓名欺世。人有负于书耳，书亦何负于人哉！ 昔有人问沈近思侍郎，如何是救贫的良法？沈曰：读书。其人以为迂阔。其实不迂阔也。东投西窜，费时失业，徒丧其品，而卒归于无济，何如优游书史中，不求获而得力在眉睫间乎！信此言，则富贵，不信，则贫贱，亦在人之有识与有决并有忍耳。 Fourth Letter to Brother Mo from Weihsien From Family Letters of a Chinese Poet Cheng Panchiao When a man goes to school, he cannot be certain that he will become an official. But whether he becomes an official or not, he should not forget the true object of study. If one fails in the examinations, the knowledge gained still remains his own and it should not be regarded as a losing investment. I, for instance, have become successful and am reputed to have a good knowledge of books. But when I ask myself, I cannot say how many books I have really absorbed into my heart. All we do usually is to borrow from one book and adapt from others, thus gaining a reputation by cheating. The scholars owe a debt to the books, while the books owe nothing to them. Formerly someone asked Shen Chinsze what to do to avoid poverty, and his reply was to read books. The man thought Shen’s advice was impractical, but it is practical. A man loses his character by rushing about and attending to worthless affairs and in the end gains nothing. It would be better for him to wander…...

"Inspiration" is a seven-character quatrain written by Tan Sitong in 1896. The poet recalled the humiliating Treaty of Shimonoseki signed by the Qing government in 1895, and expressed his concern for the country. 《有感一章》是一首七言绝句，作者是谭嗣同。此诗写于1896年，诗人想起1895年清政府签订丧权辱国的《马关条约》，有感而发，直抒忧国之情。 《有感一章》 谭嗣同 世间无物抵春愁，合向仓暝一哭休。四万万人齐下泪，天涯何处是神州！ Lines Composed in Reflection Tan Sitong What can show this spring sadness, my sadness?Oh Heaven, Heaven!Only tears can drown it.Ah, eight hundred million eyes are wet!Where is China, now, on the map?...

"Meeting Each Other: Fallen Flowers Are Like a Sad Dream" is a poem written by Nalan Xingde, a poet in the Qing Dynasty. The poem uses environmental description, psychological description and action description to create the image of a girl in the boudoir who is sad about the passing of spring and misses her husband far away, expressing the poet's longing for his wife. 《相见欢·落花如梦凄迷》是清代词人纳兰性德所写的一首词，全词运用环境描写、心理描写以及动作描写，塑造了闺中女子伤春怀远的形象，表达了词人对妻子的思念。 《相见欢·落花如梦凄迷》 纳兰性德 落花如梦凄迷，麝烟微，又是夕阳潜下小楼西。愁无限，消瘦尽，有谁知？闲教玉笼鹦鹉念郎诗。 Tune: "Joy at Meeting" Nalan Xinde Fallen petals are like a dream and mist, sad and blurred.Again the sun is setting on the Western tower.Inside the chamber filling the air is some muskToo much gloom has made me thin down,But who knows my sorrow?Idling away the hoursI turn to teaching the parrotTo read aloud poems set by my love....

"Caisangzi: Standing in the Courtyard of Xie's Family at Late Night" is a poem written by Nalan Xingde, a poet in the Qing Dynasty. This poem is full of melancholy and sorrow. The first part expresses the feeling of revisiting the old place, mainly through the description of the scenery and environment, to express his longing for his beloved wife who died young. The second part mainly expresses the poet's desolate and lonely feelings. The love between husband and wife has become a memory, hidden in the depths of life, but now the scene is sad, thinking that the old things are like a dream, and can't help but feel a lot of emotions. 《采桑子·谢家庭院残更立》是清代词人纳兰性德创作的一首词。这首词情思低回要眇，哀感缠绵。上片抒写旧地重游的感慨，主要通过景物环境的的描写，寄寓他对早逝爱妻的思念之情。下片主要抒写词人凄凉落寞的情怀。夫妻欢爱之情本来已成为记忆，藏在生命的深处，而今触景伤情，想到旧事如同一场幻梦，不禁感慨万千。 《采桑子·谢家庭院残更立》 纳兰性德 谢家庭院残更立，燕宿雕粱。月度银墙，不辨花丛那辨香？此情已自成追忆，零落鸳鸯。雨歇微凉，十一年前梦一场。 Picking Mulberries Nalan Xingde The yard of my lassie was still there,Swallows nested on the carved beam.The walls mirrored the moon white-cream,Perfumes from blossoms or my girl?—I was let down.Such passion goes into what to look back,And also into a pair of loving-birds.The rain stops but tiny cold, alack,Eleven years ago, one dream, countless curds!...

"Caisangzi: The Moon Is So Sentimental That It Should Laugh at Me" is a poem written by Nalan Xingde, a poet in the Qing Dynasty. The first part of the poem expresses the poet's gloomy mood and also highlights Nalan's lost state of mind. The second part describes the past that is too painful to look back on and everything that has passed will never come back. The whole poem expresses the poet's nostalgia for his concubine Shen Wan. 《采桑子·明月多情应笑我》是清代词人纳兰性德所写的一首词。该词上片写出词人低沉黯然的心情，同时还烘托出纳兰怅然若失的心态。下片描写往事不堪回首，一切过去的都将不再重来。全词表达了词人对妾侍沈宛的怀念之情。 《采桑子·明月多情应笑我》 纳兰性德 明月多情应笑我，笑我如今，辜负春心，独自闲行独自吟。近来怕说当时事，结遍兰襟，月浅灯深，梦里云归何处寻？ Picking Mulberries Nalan Xingde Emotionally, the bright moon will mock me,Mock me yet now,For my unworthy of the sense the Spring allow,Also of my lonely sauntering and chanting, somehow.Lately, I am shy of the say about the pastGuys in the same camp.Shallow is the moon, and deep the lamp,Where’ er to seek them, dream or clouds as I tramp?...

This poem "Caisangzi·Tongxia Jiujue Feiqiongzi" was written by Nalan Xingde. The first part describes the fairyland, and the second part describes the human world. Heaven and earth, mortals and fairies, are cut off from each other's news and letters, but they are connected in their hearts. The poem seems plain, but it has deep meaning, which is both real and imaginary, and can be described as pure and wonderful. 这首《采桑子·彤霞久绝飞琼字》，作者是纳兰性德，上片写仙境，下片写人间。天上人间，凡人仙女，音书隔绝，唯有心期。小词看似平淡，而意蕴深藏，亦虚亦实，可谓清空超妙。 《采桑子·彤霞久绝飞琼字》 纳兰性德 彤霞久绝飞琼字，人在谁边。人在谁边，今夜玉清眠不眠。香销被冷残灯灭，静数秋天。静数秋天，又误心期到下弦。 Picking Mulberries Nalan Xingde From red clouds has been cut a long-delayed figure of the nymph.Where is she gone?Where is she gone?Query tonight whether she stops up or lies down?Fragrance diminished, quilt chilled and last flicker of the lamp gone out.The fall of leaf counted still,The fall of leaf counted still,My expectant soul lingers to the waning moon against my will....

"Caisangzi: How Can I Be Lonely in the Festival of Flowers" is a poem written by Nalan Xingde, a poet in the Qing Dynasty. The first part describes how spring makes people feel lonely and depressed, and how emotions surge, so they sing with emotion and shed tears secretly. The second part describes how the falling leaves in autumn and the blooming flowers in spring urge people to gradually grow old year after year, expressing worldly feelings. Although the whole poem is about spring, the artistic conception is bleak, expressing the feelings that life is impermanent, fleeting, and overwhelmed by the past and the present. 《采桑子·那能寂寞芳菲节》是清代词人纳兰性德创作的一首词。上片写春天让人寂寥落寞，情思涌起，于是慨然高歌，暗自垂泪。下片写秋日落叶春日繁花年复一年地催促着人逐步迈向衰老，抒发世俗的感慨。全词虽写春，但意境苍凉，抒发了人生无常，转瞬即逝，不胜今昔的感慨。 《采桑子·那能寂寞芳菲节》 纳兰性德 那能寂寞芳菲节，欲话生平。夜已三更，一阕悲歌泪暗零。须知秋叶春花促，点鬓星星。遇酒须倾，莫问千秋万岁名。 Picking Mulberries Nalan Xingde Why feel lonely in the entrancing fragrance season?My chest heaved with sighs for the lifelong track.It is already in the dead of night,When a dry-eyed monody floats in sight.One should be aware that Tempus fugit, which isClearly proved by the graying sparse hairs.Let’s drink till our tongues trip,And never mind aeons of time without hetup....

The picture album of the Twelve Beauties of Jinling appears in the fifth chapter of A Dream of Red Mansions. Under the guidance of Fairy Jinghuan, Baoyu travels to the Land of Illusion in his sleep. In the Department of Unlucky Women, he sees a large cabinet filled with the life judgments of unlucky women from various provinces. He then finds the cabinet in his hometown of Jinling to take out the books and look at them. There are three volumes: the main volume of the Twelve Beauties of Jinling, the supplementary volume of the Twelve Beauties of Jinling, and the supplementary volume of the Twelve Beauties of Jinling. The judgments in the picture album, like the later A Dream of Red Mansions, allow us to glimpse the author's attitude towards the characters, as well as the complete artistic conception in arranging their fates and the development of the entire plot of the novel. This is of particular research value when the second half of the original manuscript has been lost. Many of the plot ideas in the last forty chapters of the sequel we read are based on this. 金陵十二钗图册出现在《红楼梦》第5回，宝玉在警幻仙姑的指引下梦游太虚幻境，在薄命司中看到有大橱装载着各省薄命女子的生平判词，遂找到自己家乡金陵的柜子取册观看，有金陵十二钗正册，金陵十二钗副册，金陵十二钗又副册3册。图册判词和后面的《红楼梦曲》一样，使我们能从中窥察到作者对人物的态度，以及在安排她们的命运和小说全部情节发展上的完整艺术构思，这在原稿后半已散失的情况下，特别具有重要的研究价值。在我们读的后四十回续书，不少情节的构想就是以此为依据的。 《金陵判词·晴雯》 曹雪芹 霁月难逢，彩云易散。心比天高，身为下贱。风流灵巧招人怨。寿夭多因诽谤生，多情公子空牵念。 Qingwen Cao Xueqin A clear moon…...

The picture album of the Twelve Beauties of Jinling appears in the fifth chapter of A Dream of Red Mansions. Under the guidance of Fairy Jinghuan, Baoyu travels to the Land of Illusion in his sleep. In the Department of Unlucky Women, he sees a large cabinet filled with the life judgments of unlucky women from various provinces. He then finds the cabinet in his hometown of Jinling to take out the books and look at them. There are three volumes: the main volume of the Twelve Beauties of Jinling, the supplementary volume of the Twelve Beauties of Jinling, and the supplementary volume of the Twelve Beauties of Jinling. The judgments in the picture album, like the later A Dream of Red Mansions, allow us to glimpse the author's attitude towards the characters, as well as the complete artistic conception in arranging their fates and the development of the entire plot of the novel. This is of particular research value when the second half of the original manuscript has been lost. Many of the plot ideas in the last forty chapters of the sequel we read are based on this. 金陵十二钗图册出现在《红楼梦》第5回，宝玉在警幻仙姑的指引下梦游太虚幻境，在薄命司中看到有大橱装载着各省薄命女子的生平判词，遂找到自己家乡金陵的柜子取册观看，有金陵十二钗正册，金陵十二钗副册，金陵十二钗又副册3册。图册判词和后面的《红楼梦曲》一样，使我们能从中窥察到作者对人物的态度，以及在安排她们的命运和小说全部情节发展上的完整艺术构思，这在原稿后半已散失的情况下，特别具有重要的研究价值。在我们读的后四十回续书，不少情节的构想就是以此为依据的。 《金陵判词·香菱》 曹雪芹 根并荷花一茎香，平生遭际实堪伤。自从两地生孤木，致使香魂返故乡。 Xiangling Cao Xueqin Sweet is he…...

The picture album of the Twelve Beauties of Jinling appears in the fifth chapter of A Dream of Red Mansions. Under the guidance of Fairy Jinghuan, Baoyu travels to the Land of Illusion in his sleep. In the Department of Unlucky Women, he sees a large cabinet filled with the life judgments of unlucky women from various provinces. He then finds the cabinet in his hometown of Jinling to take out the books and look at them. There are three volumes: the main volume of the Twelve Beauties of Jinling, the supplementary volume of the Twelve Beauties of Jinling, and the supplementary volume of the Twelve Beauties of Jinling. The judgments in the picture album, like the later A Dream of Red Mansions, allow us to glimpse the author's attitude towards the characters, as well as the complete artistic conception in arranging their fates and the development of the entire plot of the novel. This is of particular research value when the second half of the original manuscript has been lost. Many of the plot ideas in the last forty chapters of the sequel we read are based on this. 金陵十二钗图册出现在《红楼梦》第5回，宝玉在警幻仙姑的指引下梦游太虚幻境，在薄命司中看到有大橱装载着各省薄命女子的生平判词，遂找到自己家乡金陵的柜子取册观看，有金陵十二钗正册，金陵十二钗副册，金陵十二钗又副册3册。图册判词和后面的《红楼梦曲》一样，使我们能从中窥察到作者对人物的态度，以及在安排她们的命运和小说全部情节发展上的完整艺术构思，这在原稿后半已散失的情况下，特别具有重要的研究价值。在我们读的后四十回续书，不少情节的构想就是以此为依据的。 《金陵判词·秦可卿》 曹雪芹 情天情海幻情身，情既相逢必主淫。漫言不肖皆荣出，造衅开端实在宁。 Qin Keqing Cao Xueqin Love boundless…...

The picture album of the Twelve Beauties of Jinling appears in the fifth chapter of A Dream of Red Mansions. Under the guidance of Fairy Jinghuan, Baoyu travels to the Land of Illusion in his sleep. In the Department of Unlucky Women, he sees a large cabinet filled with the life judgments of unlucky women from various provinces. He then finds the cabinet in his hometown of Jinling to take out the books and look at them. There are three volumes: the main volume of the Twelve Beauties of Jinling, the supplementary volume of the Twelve Beauties of Jinling, and the supplementary volume of the Twelve Beauties of Jinling. The judgments in the picture album, like the later A Dream of Red Mansions, allow us to glimpse the author's attitude towards the characters, as well as the complete artistic conception in arranging their fates and the development of the entire plot of the novel. This is of particular research value when the second half of the original manuscript has been lost. Many of the plot ideas in the last forty chapters of the sequel we read are based on this. 金陵十二钗图册出现在《红楼梦》第5回，宝玉在警幻仙姑的指引下梦游太虚幻境，在薄命司中看到有大橱装载着各省薄命女子的生平判词，遂找到自己家乡金陵的柜子取册观看，有金陵十二钗正册，金陵十二钗副册，金陵十二钗又副册3册。图册判词和后面的《红楼梦曲》一样，使我们能从中窥察到作者对人物的态度，以及在安排她们的命运和小说全部情节发展上的完整艺术构思，这在原稿后半已散失的情况下，特别具有重要的研究价值。在我们读的后四十回续书，不少情节的构想就是以此为依据的。 《金陵判词·李纨》 曹雪芹 桃李春风结子完，到头谁似一盆兰。如冰水好空相妒，枉与他人作笑谈 Li Wan Cao Xueqin Peach and…...

The picture album of the Twelve Beauties of Jinling appears in the fifth chapter of A Dream of Red Mansions. Under the guidance of Fairy Jinghuan, Baoyu travels to the Land of Illusion in his sleep. In the Department of Unlucky Women, he sees a large cabinet filled with the life judgments of unlucky women from various provinces. He then finds the cabinet in his hometown of Jinling to take out the books and look at them. There are three volumes: the main volume of the Twelve Beauties of Jinling, the supplementary volume of the Twelve Beauties of Jinling, and the supplementary volume of the Twelve Beauties of Jinling. The judgments in the picture album, like the later A Dream of Red Mansions, allow us to glimpse the author's attitude towards the characters, as well as the complete artistic conception in arranging their fates and the development of the entire plot of the novel. This is of particular research value when the second half of the original manuscript has been lost. Many of the plot ideas in the last forty chapters of the sequel we read are based on this. 金陵十二钗图册出现在《红楼梦》第5回，宝玉在警幻仙姑的指引下梦游太虚幻境，在薄命司中看到有大橱装载着各省薄命女子的生平判词，遂找到自己家乡金陵的柜子取册观看，有金陵十二钗正册，金陵十二钗副册，金陵十二钗又副册3册。图册判词和后面的《红楼梦曲》一样，使我们能从中窥察到作者对人物的态度，以及在安排她们的命运和小说全部情节发展上的完整艺术构思，这在原稿后半已散失的情况下，特别具有重要的研究价值。在我们读的后四十回续书，不少情节的构想就是以此为依据的。 《金陵判词·巧姐》 曹雪芹 势败休云贵，家亡莫论亲。偶因济刘氏，巧得遇恩人。 Qiaojie Cao Xueqin When fortune frowns,…...

The picture album of the Twelve Beauties of Jinling appears in the fifth chapter of A Dream of Red Mansions. Under the guidance of Fairy Jinghuan, Baoyu travels to the Land of Illusion in his sleep. In the Department of Unlucky Women, he sees a large cabinet filled with the life judgments of unlucky women from various provinces. He then finds the cabinet in his hometown of Jinling to take out the books and look at them. There are three volumes: the main volume of the Twelve Beauties of Jinling, the supplementary volume of the Twelve Beauties of Jinling, and the supplementary volume of the Twelve Beauties of Jinling. The judgments in the picture album, like the later A Dream of Red Mansions, allow us to glimpse the author's attitude towards the characters, as well as the complete artistic conception in arranging their fates and the development of the entire plot of the novel. This is of particular research value when the second half of the original manuscript has been lost. Many of the plot ideas in the last forty chapters of the sequel we read are based on this. 金陵十二钗图册出现在《红楼梦》第5回，宝玉在警幻仙姑的指引下梦游太虚幻境，在薄命司中看到有大橱装载着各省薄命女子的生平判词，遂找到自己家乡金陵的柜子取册观看，有金陵十二钗正册，金陵十二钗副册，金陵十二钗又副册3册。图册判词和后面的《红楼梦曲》一样，使我们能从中窥察到作者对人物的态度，以及在安排她们的命运和小说全部情节发展上的完整艺术构思，这在原稿后半已散失的情况下，特别具有重要的研究价值。在我们读的后四十回续书，不少情节的构想就是以此为依据的。 《金陵判词·熙凤》 曹雪芹 凡鸟偏从末世来，都知爱慕此生才。一从二令三人木，哭向金陵事更哀。 Wang Xifeng Cao Xueqin This bird…...